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Description:
Based on true events during the Rwandan genocide in 1994, an exhausted Catholic priest (John Hurt) and a young idealistic English teacher (Hugh Dancy) find themselves caught in a literal and spiritual crisis. They have to choose whether to stay with the thousands of Tutsis about to be massacred or to flee for safety.

Amazon.com:
A powerfully moving rendering of the horrific genocide that occurred in Rwanda in 1994, Beyond the Gates is the story of the Ecole Technique Officielle (ETO), a school run by Europeans and protected by the forces of the United Nations. Overseen by a spiritual, world-weary Catholic priest Father Christopher (John Hurt) and taught by an idealistic, naive young teacher Joe (Hugh Dancy), students and refugees alike perceive the ETO to be a safe haven of learning and love, where backgrounds and circumstances matter little and where humanitarian efforts are positively affecting the lives of the Rwandan people. When tensions between the Hutu and Tsutsi people of Rwanda escalate, father Christopher, teacher Joe, and Capitaine Delon (Dominique Horwitz), commander of the United Nation forces based at the ETO, find themselves thrust into the role of protecting a huge mass of Tsutsi refugees from certain massacre at the hands of the incensed Hutu population. Constrained by orders from the U.N. to "monitor" rather than "enforce" the peace in Rwanda, U.N. military forces are powerless to act against the mounting violence outside the school's gates and it quickly becomes evident to Father Christopher and Joe that they and the Rwandans depending on their protection are in extreme danger. In the end, both men are forced to choose between their humanitarian resolve and the preservation of their very lives. A microcosm of the extensive genocide that was carried out throughout Rwanda from April through June in 1994, the story of the ETO highlights to the larger world the ineffective and arguably destructive role that the Western World played in the Rwandan genocide. The film's immense power stems from stellar performances by John Hurt, Hugh Dancy, and Claire-Hope Ashitey (Marie) as well as exceptional writing by David Wolstencroft and impassioned story telling by director Michael Caton-Jones. Filming on location in Rwanda adds an added layer of authenticity to the film as does the inclusion of Rwandan survivors in various on- and off-screen roles. Bonus features include a 38-minute "making of" feature that's rich with perspective and history thanks to extensive interview footage of producers, actors, and crew members personally affected by the genocide in Rwanda and two separate full-length film commentaries; one by director Michael Caton-Jones and another featuring writer David Wolstencroft and producer David Belton. Rated R for strong violence, disturbing images, and language. This film is also available in an unrated version that's edited for clean language. --Tami Horiuchi

Rating : - an overwhelmingly powerful film
"Beyond the Gates" (aka "Shooting Dogs") is a shattering true-life drama set during the Rwandan genocide of 1994 - a holocaust in which over 800,000 unarmed Tutsis were brutally massacred by their gun- and machete-toting Hutu neighbors simply for being "different." This harrowing and heartbreaking film focuses on a Catholic priest and a young American teacher who find themselves caught up in a human tragedy of unimaginable proportions when a large group of terrified Tutsis flee to the school for safety and protection (a comforting but, as it turns out, utterly impotent U.N. "peacekeeping force" has also set up shop there).

Comparisons to the earlier, better-known "Hotel Rwanda" are as an inevitable as they are irrelevant, for "Beyond the Gates" is a searing and unforgettable movie in its own right, filled with indelible imagery and pulse-pounding suspense. The brilliant screenplay by David Wolstencroft (based on the book by Richard Alwyn and David Belton) focuses as much on the moral dilemma taking place within the souls of the two white men as it does on the unspeakable tragedy occurring in the world outside. Both men, utterly powerless in the face of such a monumental event, are forced to question whether the religious dogma that they espouse so readily in times of peace has any real efficacy or relevance in times when the very fabric of humanity seems to be coming apart at the seams. Director Michael Caton-Jones has provided scene after scene in which characters - both major and minor - are forced to re-examine their commitment to themselves, the people around them and the belief systems they've adopted to get themselves through life. The movie also points out just how shamefully the outside world acted in turning a blind eye to what was happening in that country, refusing to step in at any point to try and bring the situation under control, and then proffering lame excuses to justify its inaction once it was all over.

With many actual survivors of the holocaust working both behind the camera as technical assistants and in front of it as extras and minor characters, the film brilliantly recreates the events with devastating immediacy and accuracy (the movie was also filmed at the actual locations where the incidents themselves took place, greatly enhancing its verisimilitude). Moreover, John Hurt as the priest and Hugh Dancy as the teacher deliver soul-searing, gut-wrenching performances that get to the heart of what it truly means to be one`s brother`s keeper.

Acts of such unmitigated savagery and brutality, especially when conducted on this massive a scale, are so incomprehensible in their horror that it would be virtually impossible for any single work of art to successfully grasp the meaning behind them. But by personalizing the issues and placing the events within the context of a series of universally identifiable moral dilemmas, the makers of this extraordinarily fine film have perhaps come as close as is humanly possible to achieving that end. Don't miss it.