| Editor Reviews: Album Description: Along with producer Steve Osborne (New Order, Happy Mondays, Doves) the band have created an album as cutting edge, distinctive & danceable as their debut album in 1979. The B-52's influence cuts a wide path through much of so-called Modern Rock-- from the low-fi efforts of nouveau garage bands and the Retro-Hip of Ultra-Lounge to the very ascendance of Dance music itself. Twenty years and 20 million albums into a career that began as a low-rent lark in Athens, Georgia, the B-52's remain the most unlikely Pop superstars ever. The first band to glorify Pop culture with an almost Warholian sense of purpose, their absurd B-movie style and off-kilter sound celebrated the weirdness lurking just beneath the surface of Americana. EMI. 2008. Amazon.com: Like a time capsule, the B-52s' first album in 16 years reanimates that familiar fusion of danceable post-punk and bizarrely conceived songs of the oldest new wave. After sitting out 1992’s Good Stuff, Cindy Wilson returns to the love shack, joining fellow bee-hiver Kate Pierson on mouth-watering vocals and harmonies circa Wild Planet. Colossal hooks jostle relentless rhythms, oddball lyrics, and the outrageous voice of Fred Schneider, who struts like a peacock through this infectious 11-track mix of frolic and frivolity. The songs are inspired by Fellini movies ("Juliet of the Spirits"), Athens, Georgia lore ("Hot Corner"), and the shopping mall ("Funplex"), and thanks to the band’s melody creator, Keith Strickland, they shimmy, shake, and house-quake all night long. Out of the blue and virtually as fun as a party out of bounds, Funplex is a dee-lightful reunion record. --Scott Holter + Read more.... |  |