Editor Reviews:

Amazon.com:
Aimed directly at a mainstream audience, The Patriot qualifies as respectable entertainment, but anyone expecting a definitive drama about the American Revolution should look elsewhere. Rising above the blatant crowd pleasing of Stargate, Independence Day, and Godzilla, director Roland Emmerich crafts a marvelous re-creation of South Carolina in the late 1770s (aided immeasurably by cinematographer Caleb Deschanel), and Robert Rodat's screenplay offers the same balance of epic scale and emotional urgency that elevated his earlier script for Saving Private Ryan. Unfortunately, Emmerich embraces clichés and hackneyed melodrama that a more gifted director would have avoided. Instead of attempting a truly great film about the most pivotal years of American history, Emmerich settles for a standard revenge plot with the Revolutionary War as an incidental backdrop.

On those terms, the film is engrossing and sufficiently intelligent, especially when militia leader Benjamin Martin (Mel Gibson) cagily negotiates with British General Cornwallis (Tom Wilkinson) in one of the most rewarding scenes. For the most part, the story concerns Martin's anguished quest for revenge against ruthless redcoat Colonel Tavington (played with snide relish by Jason Isaacs), and the rise to manhood of Martin's eldest son, Gabriel (Heath Ledger), whose battlefield honor exceeds even that of his brutally volatile father. At its best, The Patriot conveys the horror of war among innocent civilians, and the epic battle scenes, while by no means masterful, are graphically intense and impressive. And although Ledger's love interest (Lisa Brenner) is too bland to register much emotion, the focus on family (which frequently relegates the war to background history) provides a suitable vehicle for Gibson, who matches his achievement in Braveheart with an effectively brooding performance. --Jeff Shannon

Rating : - Thank You Mel Gibson
Among the steady stream of disgusting, vulgar, and /or western civilization-bashing crap that flows like a sewer from our Left Coast, we get a little reminder every once in awhile that the United States is not completely the Great Satan. We do have a redeeming quality or two. Thank God for a generation that didn't bow the knee to British oppression and tyranny. (Anyone who thinks the British were righteous during that period probably also thinks that Islam is a religion of peace.) Today we are the world's oldest democracy because that generation "stayed the course" (oh, the mindless clichés!), fought barefoot in the snow, and defeated the most powerful empire in the world (strangely reminiscent of the Vietcong).

When I'm feeling low about the porn-saturated, Bush-decimated, corporate-dominated, widely-hated USA, I'll watch this movie and imagine a time that my people not only believed in virtue, but actually behaved as though there was something more important than self-interest, self-esteem, self-awareness, and getting off.

If I seem a little overly passionate, it's because I've mistakenly spent time reading the one-star reviews. When I calm down my review of the movie will probably just be "It was pretty good."